۱۳۸۷ بهمن ۲۹, سه‌شنبه

هنر مبارزه بدون مبارزه

    به نام او

    از شما چه پنهان كه ما هم دوست داريم خودمان را تاي چي كار و متعاقباً رزمي كار حساب كنيم هر چند كه مايه خنده ي دوستان شود كه البته چه بهتر ...

    بگذريم چند وقت پيش كتابي از يك بنده خداي گردن كلفت (ر.ک عکسش این زیر) به نام Geoff Thompson که به گفته خودش در بیش از 300 دعوای خیابانی شرکت کرده است، با عنوان "The art of fighting without fighting" پيدا كردم که موضوع بسیار جالبی دارد که بماند برای بعد ولی کتاب با داستان کوتاهی شروع می شد که خیلی لذت بردم و عیناً در پایین عکس می چسبانم؛

    There was once a very famous Aikido player in Japan who spent

    his whole life studying Usheba’s legendary art. Although he had

    dedicated his whole existence to this beautiful art he had never

    actually had occasion to test it in a real life situation against a

    determined attacker, someone intent on hurting him. Being a

    moralistic kind of person he realised that it would be very bad

    karma to actually go out and pick a fight just to test his art so he

    was forced to wait until a suitable occasion presented itself. Naively,

    he longed for the day when he was attacked so that he could

    prove to himself that Aikido was powerful outside of the controlled

    walls of the dojo.

    The more he trained, the more his obsession for validation grew

    until one day, travelling home from work on a local commuter

    train, a potential situation did present itself an overtly drunk

    and aggressive man boarded his train and almost immediately

    started verbally abusing the other passengers.

    This is it,’ the Aikido man thought to himself, ‘this is my chance to

    test my art.’

    He sat waiting for the abusive passenger to reach him. It was

    inevitable that he would: he was making his way down the carriage

    abusing everyone in his path. The drunk got closer and closer to

    the Aikido man, and the closer he got the louder and more

    aggressive he became. Most of the other passengers recoiled in

    fear of being attacked by the drunk. However, the Aikido man

    couldn’t wait for his turn, so that he could prove to himself and

    everyone else, the effectiveness of his art. The drunk got closer

    and louder. The Aikido man made ready for the seemingly

    inevitable assault he readied himself for a bloody encounter.

    As the drunk was almost upon him he prepared to demonstrate

    his art in the ultimate arena, but before he could rise from his

    seat the passenger in front of him stood up and engaged the

    drunk jovially. ‘Hey man, what’s up with you? I bet you’ve been

    drinking in the bar all day, haven’t you? You look like a man with

    problems. Here, come and sit down with me, there’s no need

    to be abusive. No one on this train wants to fight with you.’

    The Aikido man watched in awe as the passenger skillfully talked

    the drunken man down from his rage. Within minutes the drunk

    was pouring his heart out to the passenger about how his life

    had taken a downward turn and how he had fallen on hard

    times. It wasn’t long before the drunk had tears streaming down

    his face. The Aikido man, somewhat ashamed thought to himself

    That’s Aikido!’. He realized in that instant that the passenger

    with a comforting arm around the sobbing drunk was

    demonstrating Aikido, and all martial art, in it highest form.